Over the past seven months, millions of dollars have poured into online crowdfunding accounts associated…
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What Happened to the Millions of Dollars Raised by Standing Rock Protesters?

Over the past seven months, millions of dollars have poured into online crowdfunding accounts associated with the Standing Rock Sioux Tribe’s unjustified crusade against the Dakota Access Pipeline.  To date, the violence-plagued protest has cost North Dakota taxpayers more than $33 million dollars, and diverted countless resources to assist local law enforcement.

Through February 14, over $13.5 million has reportedly been raised for the protesters through at least 350 different online accounts setup on sites like GoFundMe and FundRazr.  While the list represents some of the more serious fundraising efforts, it's estimated that upwards of 20,000 individual campaigns exist, likely equating to millions in additional income.

So where is all of that money going?  Nobody really knows.…[more]

February 16, 2017 • 06:05 pm

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Home Press Room CFIF Urges Opposition to H.Con.Res 16., the Local Radio Freedom Act
CFIF Urges Opposition to H.Con.Res 16., the Local Radio Freedom Act Print
Thursday, September 12 2013

In a letter sent today to all Republican members of the U.S. House of Representatives, the Center for Individual Freedom joined a coalition of free market organizations opposing H.Con.Res 16., the Local Radio Freedom Act.

Specifically, the letter urges members NOT to co-sponsor the Act at it “is a specific endorsement of the current regime, which offers no meaningful property rights to music performers” when their songs are aired on AM-FM radio.  And because “it has a chilling effect on the development of a forward-thinking policy that respects the rights of all music producers in all media.”

Read the letter below or download it here (.pdf).


 

September 12, 2013

To Republican Members of the US House of Representatives:

As organizations supporting property rights, we believe that artists who produce music deserve to hold real, effective rights to their products, including both the writer and performer of a given recording. If a given work is transmitted, common sense and basic fairness dictate that the medium of transmission should not affect the existence of these rights. Currently, however, a performer holds no effective rights to his or her product in terrestrial radio.

As you may be aware, H. Con. Res. 16, the Local Radio Freedom Act (LRFA) has been introduced in the House. This resolution is a specific endorsement of the current regime, which offers no meaningful property rights to music performers in regard to transmission over terrestrial radio. Because this resolution endorses the status quo, it has a chilling effect on the development of a forward-thinking policy that respects the rights of all music producers in all media. For this reason we urge you to refrain from co-sponsoring H. Con. Res. 16.

The Constitution protects private property rights and specifically delegates to Congress authority to protect creative works. Unfortunately, LRFA closes the discussion about how best to protect property rights by resolving that terrestrial radio should never pay performance royalties on music broadcast on their stations used for raising advertising revenue. This is not equitable treatment for any musical artist or music distribution service.

Supporters of LRFA have argued that requiring terrestrial broadcast stations to pay a performance royalty is akin to a performance tax. This is incorrect; a performance royalty is not a tax. The definition of a tax is the transfer of wealth from a household or business to the government. Royalties go to rights holders, not to the government. It is completely within the rights of broadcasters to decide not to pay for the use of a performer’s song by not using the song. Paying a private citizen or business for the use of their property is clearly not a tax.

Additionally, supporters of LRFA claim that the promotional value artists derive from having their music played on the radio exceeds compensation which would be due under a royalty. However, cable, satellite, and Internet pay a royalty for sound performances. In a free market, some copyright holders might decide to forego royalty payments in return for having their music on the radio. Nonetheless, these decisions should be made by the free market, not the government.

Congress should not preclude a free market approach to royalty payments. We, the undersigned, urge you to refrain from cosponsoring H. Con. Res. 16, the Local Radio Freedom Act, and allow the discussion to remain open about how best to protect the rights of both performers and writers in the creation of music.

Sincerely,

Andrew Langer, President
Institute for Liberty

Grover Norquist, President
Americans for Tax Reform

Tom Schatz, President
Citizens Against Government Waste

Phil Kerpen, President
American Commitment

Jeffrey Mazzella, President
Center for Individual Freedom

David Williams, President
Taxpayers Protection Alliance

Katie McAuliffe, Executive Director
Digital Liberty

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